ES

Tierra Dorada

Environmental communication developed with young leaders in mining communities.

ClientUSAID Colombia
RoleDesigner and field communicator
Contribution Communications training and support in creating artistic products.
Official graphic piece of the Tierra Dorada campaign, in partnership with USAID

Introduction

Communication tools for community leaders

Tierra Dorada was an initiative led by Chemonics, Arteaga Latam, and CORCRESER to reduce the environmental impact of informal mining in the Serranía de San Lucas, Bajo Cauca in Antioquia, and the San Juan subregion of Chocó. I joined when the visual identity was already well developed and became part of the communications team. My work focused on designing and structuring workshops that gave local leaders conceptual and creative tools to communicate the environmental challenges in their municipalities.

VN
Río adentro
Sur de Bolívar
VN
Se goza igual
Chocó
VN
Barequeo de oro
Bajo Cauca

Context

Different territories, different ways of communicating

The project took place in areas affected by informal mining and complex security dynamics. We worked directly with young leaders, artists, musicians, and local cultural groups. Given the cultural diversity across communities, the workshops couldn’t follow a fixed format. They had to adapt to the language, rhythms, and forms of expression of each place.

Research

Understanding each territory through direct listening

Through interviews, observation, and active listening, we explored how young people expressed themselves in their daily lives and which communication channels their communities already used. These insights informed the approach for each workshop.

A group of young people sitting on the floor around a mural in progress smile at the camera.
Close-up of a young woman painting a mural spread out on the floor.
A young woman with curly hair, hand near her mouth, listens attentively.
Two young women lean over a table, drawing together on paper.
A group of people sit around a table with papers and markers, working together on an activity.
A person kneels to paint a huge mural on the floor of a large room.
Group photo of the participants outdoors, among trees.

Decision

Sharing tools rather than imposing finished materials

A key decision was to define my role as a designer working directly in the territory. Rather than producing finished pieces remotely, I focused on training young leaders and giving them conceptual and creative tools to communicate their environmental knowledge in their own ways. My role was to connect the project’s objectives with the realities of each community.

Tierra Dorada team celebration in Chocó
Detail of the jaguar mural
Young person painting a portrait on the mural

Result

Environmental campaigns created with local young people

The young people created murals, songs, poems, and audiovisual pieces about protecting water, soil, and air in areas affected by mining. The approach enabled communities to develop environmental messages in their own cultural forms of expression, helping those messages feel relevant and rooted in local realities.

Voces de la Tierra, one of the audiovisual pieces that came out of the workshops.

Reflections

Designing in response to each territory

What I value most about my time at Arteaga Latam is the opportunity to work directly with communities. As a designer, I find the creative process most meaningful when it extends beyond the screen and supports organizations working on social and environmental issues. Even in difficult circumstances, I encountered joy, inspiration, and a strong commitment to communicating these messages. The experience reinforced my belief that design can work beyond digital spaces and support the voices of people working to transform their communities.